The 2002 thrillerPhone Boothis one ofColin Farrell’s most underrated movies. Farrell plays New York publicist Stu Shepard, who finds himself trapped in a phone booth, on the phone with a stranger who forces him to disclose his secrets while watching with a gun from a nearby building. Farrell’s portrayal of the desperate Stu is central to the success ofPhone Booth, which received a 72% positiveRotten Tomatoesrating and critical praise for its unusual filming style: taking place in one location,Phone Boothwas filmed in real-time.
Filming in real-time means that the movie’s events take place over the time that it takes to watch it. As it is not a commonly used format,movies that take place in real-timemust be both creative and effective.Phone Boothis a relatively short movie, lasting under 90 minutes, and this timeframe and format would be challenging enough for a director to build suspense, develop characters, and tell a story. However, another unusual aspect gives an even bigger challenge: almost the entire movie takes place in the phone booth, yetPhone Boothmakes these challenges work.
Phone Booth Taking Place In One Location In Real Time Made It Incredibly Tense
The Role Of The Caller Was Recast To Kiefer Sutherland At The Last Minute
Oncethe phone call set the story in motion, the confined setting ofPhone Boothmade the movie feel extremely claustrophobic, asthe tiny phone booth is a visual representation of Stu’s entrapment. With such a short running time, every moment had to count towards moving the plot forward and increasing the tension the longer Stu was in the phone booth. As the movie takes place in real-time, the viewer only knows what Stu knows, which means that the caller could be affiliated with anybody outside the phone booth, and anybody approaching the phone booth could be dangerous.
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Casting The Caller was essential to the success ofPhone Boothbecause the actor had to be truly terrifying, using only his voice. Actor Ron Eldard had originally been cast as The Caller, but, after Eldard had recorded all of his lines, screenwriter Larry Cohen wasn’t happy with the result. Cohen told director Joel Schumacher that Ron’s voice “lacked the mesmerizing tone I’d expected,” and so, Schumacher hired veteran villain actor Kiefer Sutherland, who re-recorded all the phone call lines. His menacing yet composed performance made The Caller one ofSutherland’s best villain roles.
Joel Schumacher Made An Intense Thriller Out Of A Boring Premise In Phone Booth
Alfred Hitchcock Wanted To Direct The Phone Booth Movie, But He Couldn’t Figure Out How To Make It Work
Perhaps what makesPhone Boothso impressive is how restrictive its premise is. On the surface, it sounds like the basis of a largely uneventful story. As the single location wasn’t compelling and there were few time jumps, it was up to other aspects of the movie to make up for the lack of variety here. Schumacher understood this, tellingSPLICEDwire"it has every challenge you could possibly imagine." However,Phone Booth’s tight script and intense performancesfrom the actors involved (especially Farrell, who barely slept in order to believably portray Stu’s unraveling mental state) madePhone Boothintoa powerful and intense psychological thrilleragainst the odds.
The TV series24is well-known for also being set in real time, and also stars Kiefer Sutherland, though he plays the protagonist.
LikePhone Booth, Alfred Hitchcock movies are also known for being tense, character-driven, and highly suspenseful. When Cohen and Hitchcock met, they discussed the phone booth idea but neither could find a reason for the man to remain trapped in the booth for an entire movie. Still,Hitchcock was interested in the phone booth settingand occasionally checked in with Cohen, but Cohen did not find his reason for the man to remain in there until after Hitchcock died. The idea that even one of the greatest directors of all time couldn’t find a way to make the idea work underscores the risks that came with makingPhone Booth.
Phone Booth
Cast
Phone Booth, directed by Joel Schumacher, follows a New York publicist who answers a ringing phone in a booth and receives a chilling ultimatum: if he hangs up, he will be killed. The threat is underscored by a laser rifle sight, proving the caller’s deadly seriousness.
